My 2014 Hugo Votes

Here are my picks for the 2014 Hugo awards. You can follow the links where I have posted reviews for individual works. In each category, you can rank your preferences (1 being best). They encourage you not to vote for categories in which you have no experience (don’t just guess in other words). I’ve read (or watched or seen as appropriate) everything that I voted on. I didn’t individually review everything.

Best Novel

  1. Ancillary Justice, Ann Leckie (Orbit US/Orbit UK)
    The pronouns are what get mentioned a lot in Ancillary Justice and I liked how that pointed out some interesting characteristics of the groups in the novel and my default assumptions. What I really liked was the dealing of distributed consciousness with Breq’s parts in the various stories, the ships and the leader of the Radch. I found the base quest story to also be entertaining and the world building with hints towards what is to come was nicely laid out.
  2. Neptune’s Brood, Charles Stross (Ace / Orbit UK) The sub-light economic system of Neptune’s Brood was masterfully done and I enjoy things like that. The undersea miners are an amazing example of a non-human species. The background universe of NB with its post-biological human basis has all sorts of room to develop interesting ideas that point back to biologicals and forward to trans human ideas.
  3. Parasite, Mira Grant (Orbit US/Orbit UK) Parasite was a nice take on a cause of “zombieism.” I liked the exploration of what it means to be human from the non-zombie worm beings perspective. The narrator didn’t quite gel with me. I figured out the reveal about her fairly early on and part of her personality was almost certainly related to that.
  4. The Wheel of Time, Robert Jordan and Brandon Sanderson (Tor Books / Orbit UK) The Wheel of Time series was nominated as and ruled to be a multi-part serialized single work, as defined in Section 3.2.4 of the WSFS constitution.

Warbound, Book III of the Grimnoir Chronicles by Larry Correia was nominated but I did not consider it a strong enough candidate to be on my Hugo ballot.

Best Novella

  1. “Equoid”, Charles Stross (Tor.com, 09-2013) I both enjoyed Equoid a lot and was squicked out a lot at the same time in a lovely fashion that I appreciated immensely.
    The use of the Lovecraft letters and the procurement forms (recall Shub-Niggurath [The Black Goat of the Woods with a Thousand Young] as a reason for those forms reappearing) played off of both each other and the story itself and served to ramp up the tension in a way that was really well done (I thought). The “Unicorn” and some of the Lovecraft letters were horrifying but they also work rather well with the mythos of Lovecraft himself. As “Case Nightmare Green” draws closer, it would seem that Bob’s world is going to get rather more horrifying
  2. Six-Gun Snow White, Catherynne M. Valente (Subterranean Press) I love Valente’s prose and I liked the western riff on Snow White. Just, somewhat less than Equoid.
  3. “Wakulla Springs”, Andy Duncan and Ellen Klages (Tor.com, 10-2013) I liked the story and the prose of Wakulla Springs quite a bit, but would have preferred the speculative part was more than tacked on to the end.
  4. The Butcher of Khardov, Dan Wells (Privateer Press) This was a decent enough story and I might have appreciated it more if I were into the Warhammer universe. It was a decent addition to the Hugo ballot.
  5. “The Chaplain’s Legacy”, Brad Torgersen (Analog, Jul-Aug 2013) This was better written than Torgersen’s novelette entry but didn’t seem to quite work for me.

Best Novelette

  1. “The Lady Astronaut of Mars”, Mary Robinette Kowal (maryrobinettekowal.com/Tor.com, 09-2013) I enjoyed The Lady Astronaut of Mars quite a bit. I rather liked the Oz parallel and the writing style was grade A.
  2. “The Truth of Fact, the Truth of Feeling”, Ted Chiang (Subterranean, Fall 2013) The Truth of Fact, The Truth of Feeling was well done and I enjoyed it although there was, for me, a bit of a feeling of disconnection from the story. I think that may have been on purpose as a subtext to the paralleling of writing and digital memory.
  3. “The Waiting Stars”, Aliette de Bodard (The Other Half of the Sky, Candlemark & Gleam) The Waiting Stars was also nicely done although it didn’t appeal to me quite as much as the previous two.
    I did not include either of these on my ballot:

  • “Opera Vita Aeterna”, Vox Day (The Last Witchking, Marcher Lord Hinterlands) I did not find Opera Vita Aeterna to be well written. The plot manages to both meander and rush. The writing style is clunky and the philosophy trite. This work is not at all at the level I expect from a Hugo candidate.
  • “The Exchange Officers”, Brad Torgersen (Analog, Jan-Feb 2013) The Exchange Officers could have shaped up to a decent enough piece of action fluff with some good editing. As it stands, the writing was awkward enough to detract from the story flow.

Best Short Story

    The short story category was particularly good this year. All of the entries were strong and well done.

  1. “The Water That Falls on You from Nowhere”, John Chu (Tor.com, 02-2013) I really liked this. It was very well written and the fantastic elements tied nicely into the theme.
  2. “If You Were a Dinosaur, My Love”, Rachel Swirsky (Apex Magazine, Mar-2013) This was a lovely story with a lot of message packed into its short length.
  3. “Selkie Stories Are for Losers”, Sofia Samatar (Strange Horizons, Jan-2013) Another fine entry. I found it interesting how the story played on touching the speculative aspect and interwove that with the story of racial and gender difficulties.
  4. “The Ink Readers of Doi Saket”, Thomas Olde Heuvelt (Tor.com, 04-2013)This was well crafted but didn’t really resonate with me. It seemed a bit disconnected.

Best Related Work

  1. “We Have Always Fought: Challenging the Women, Cattle and Slaves Narrative”, Kameron Hurley (A Dribble of Ink)
  2. Queers Dig Time Lords: A Celebration of Doctor Who by the LGBTQ Fans Who Love It, Edited by Sigrid Ellis & Michael Damian Thomas (Mad Norwegian Press)
  3. Speculative Fiction 2012: The Best Online Reviews, Essays and Commentary, Justin Landon & Jared Shurin (Jurassic London)
  4. Wonderbook: The Illustrated Guide to Creating Imaginative Fiction, Jeff VanderMeer, with Jeremy Zerfoss (Abrams Image)
  5. Writing Excuses Season 8, Brandon Sanderson, Dan Wells, Mary Robinette Kowal, Howard Tayler, and Jordan Sanderson

Best Graphic Story

  1. “Time”, Randall Munroe (XKCD) I followed this somewhat fanatically as it arrived. This was a fantastic tale.
  2. Girl Genius, Volume 13: Agatha Heterodyne & The Sleeping City, written by Phil and Kaja Foglio; art by Phil Foglio; colors by Cheyenne Wright (Airship Entertainment)
  3. “The Girl Who Loved Doctor Who”, written by Paul Cornell, illustrated by Jimmy Broxton (Doctor Who Special 2013, IDW)
  4. Saga, Volume 2, written by Brian K. Vaughan, illustrated by Fiona Staples (Image Comics )
  5. The Meathouse Man, adapted from the story by George R.R. Martin and illustrated by Raya Golden (Jet City Comics)

Best Dramatic Presentation, Long Form

  1. Pacific Rim, screenplay by Travis Beacham & Guillermo del Toro, directed by Guillermo del Toro (Legendary Pictures, Warner Bros., Disney Double Dare You)
  2. Iron Man 3, screenplay by Drew Pearce & Shane Black, directed by Shane Black (Marvel Studios; DMG Entertainment; Paramount Pictures)
  3. Frozen,screenplay by Jennifer Lee, directed by Chris Buck & Jennifer Lee (Walt Disney Studios)

Best Dramatic Presentation, Short Form

  1. Orphan Black: “Variations under Domestication” written by Will Pascoe, directed by John Fawcett (Temple Street Productions; Space/BBC America)
  2. Doctor Who: “The Day of the Doctor”, written by Steven Moffat, directed by Nick Hurran (BBC Television)

Best Editor, Short Form

  1. Ellen Datlow
  2. Jonathan Strahan
  3. Sheila Williams
  4. John Joseph Adams
  5. Neil Clarke

Best Editor, Long Form

  1. Ginjer Buchanan
  2. Liz Gorinsky
  3. Lee Harris
  4. Sheila Gilbert
  5. Toni Weisskopf


Best Professional Artist

  1. Daniel Dos Santos
  2. John Picacio
  3. Galen Dara
  4. Julie Dillon
  5. John Harris
  6. Fiona Staples

Best Semiprozine

  1. Apex Magazine, edited by Lynne M. Thomas, Jason Sizemore, and Michael Damian Thomas
  2. Strange Horizons, edited by Niall Harrison, Brit Mandelo, An Owomoyela, Julia Rios, Sonya Taaffe, Abigail Nussbaum, Rebecca Cross, Anaea Lay, and Shane Gavin
  3. Interzone, edited by Andy Cox
  4. Lightspeed Magazine, edited by John Joseph Adams, Rich Horton, and Stefan Rudnicki
  5. Beneath Ceaseless Skies, edited by Scott H. Andrews

Best Fanzine

  1. Pornokitsch, edited by Anne C. Perry and Jared Shurin
  2. A Dribble of Ink, edited by Aidan Moher
  3. The Book Smugglers, edited by Ana Grilo and Thea James
  4. Elitist Book Reviews, edited by Steven Diamond
  5. Journey Planet, edited by James Bacon, Christopher J Garcia, Lynda E. Rucker, Pete Young, Colin Harris, and Helen J.Montgomery

Best Fancast

  1. The Coode Street Podcast, Jonathan Strahan and Gary K. Wolfe
  2. Verity! Deborah Stanish, Erika Ensign, Katrina Griffiths, L.M. Myles, Lynne M. Thomas, and Tansy Rayner Roberts
  3. SF Signal Podcast, Patrick Hester
  4. Galactic Suburbia Podcast, Alisa Krasnostein, Alexandra Pierce, Tansy Rayner Roberts (Presenters) and Andrew Finch
    (Producer)
  5. The Skiffy and Fanty Show, Shaun Duke, Jen Zink, Julia Rios, Paul Weimer, David Annandale, Mike Underwood, and Stina Leicht
  6. Tea and Jeopardy, Emma Newman
  7. The Writer and the Critic, Kirstyn McDermott and Ian Mond

Best Fan Writer

  1. Liz Bourke
  2. Kameron Hurley
  3. Mark Oshiro
  4. Foz Meadows
  5. Abigail Nussbaum

Best Fan Artist

  1. Brad W. Foster
  2. Steve Stiles
  3. Mandie Manzano
  4. Sarah Webb
  5. Spring Schoenhuth

The John W. Campbell Award for Best New Writer Award

  1. Max Gladstone*
  2. Wesley Chu
  3. Sofia Samatar*
  4. Ramez Naam*
  5. Benjanun Sriduangkaew

Leave a Reply

Your email address will not be published. Required fields are marked *